Started as a tree landscape, went to a pure abstract, and then came back to abstract landscape.
Best part? It's signed, matted, photographed, and I'm about to list it on Etsy. That's usually my energy barrier. It's hard to sell art if you don't have any art online to sell. Instead, there's a stockpile in my basement
Phthalo blue (gs), quin gold, phthalo green, and quin red, overlaid with crayon on the top half.
Fabriano 300 lb rough press.
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August 28, 2017 at 10:58AM
Come to The Edge 1-3
You can see the original paint I laid down on Instagram, here. I like the colors.
The title is from a quote by Guillaume Apollinaire:
Come to the edge, he said. They said: We are afraid. Come to the edge, he said. They came. He pushed them and they flew.Paint--nickel azo yellow, carbazole violet, cobalt teal, an indanthrone blue
Paper--300 lb hot press Fabriano.
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August 20, 2017 at 01:16PM
Waiting for three small abstracts to dry so I can put on a crayon overlay. #watercolor #abstract #art
Where Orange Meets Blue
It's satisfying to have a little piece that starts out amorphous pull together in a way that's pleasing to me. Like when a key works on a lock.
Daniel Smith, permanent yellow deep, carbazole violet and cobalt on Fabriano 300 lb hot press paper.
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August 12, 2017 at 12:30PM
Started as a vertical abstract and then became a landscape(ish). Usually it goes the other way. #watercolor #art #landscape
Is a watercolor artist that lives in Cincinnati, OH. This is a combination of instagram posts and blogger posts.